It goes without mention that remembering his ‘Jyoti dada’ is an act of digging out his bygone moments; those memories are safely secured in his artistic creations in and about Chinsurah and Chandernagore.
like his brother Jyotirindranath, a matured Rabindranath was attracted to French culture and heritage at Chandernagore.
Jyotirindranath, initially, stayed at ‘Riverview’ (which in the records of Jorasanko is known as Barunjyeder Baganbari) following the footsteps of his father.
Chinsurah and Chandernagore, have constantly engrossed members from the Tagore household since the 1820s till the 1930s
This poem, written during mid-December 1931 to mid-January 1932, transcends space and time, and hence, is relevant universally for all ages.
His songs bore the marks of his appreciation for the Hindustani classical music. It was particularly explicit when he described the ragas in a romantic vain.
The University of Illinois has played an integral role in Visva-Bharati’s history of pioneering scientific experimentation in agriculture as part of Tagore’s ideas.
Film adaptations of Tagore’s works have also made their mark on the Irish mind. A review of the film Charulata while applauding the heroine Madhavi Mukherjee, concludes, that it is ‘a drama that’s fit to burst with political and colonial discourse, class, protofeminist values, music, poetry, and most of all, love. All life is here.’
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