There was magic in his voice, dedication in his riyaaz and modesty in his nature.
Colour transports space to emptiness, cancelling that which it has absorbed to reach the non-figurative.
Somjit Dasgupta aims to protect and preserve Radhu Babu’s traditional wealth of instruments and his passion for music.
It is the nature of man to seek beyond his comfort zone whether to hunt for survival or conquer new territories.
Red Desert follows nine extraordinary black and white features which had by then created an Antonioni doctrine of cinematic photography.
Shyam Benegal touched the wounds of a post-colonially confused and depressed moment of this civilization.
Sinha’s films sustain socio-political implications that cross man-made barriers of time, space, language, people and culture.
The beautiful thing is that one can never predict how your paintings will end up, Maestro; you always reserve a surprise for us.
Underneath the revealed image there exists another image more faithful to reality and then another beneath it.
Dom has described poetry as the hardest and most demanding discipline and a ferocious master.
Hideo's unique identity of a blue-eyed Japanese Language author with a Jewish-American family name was an anomaly in Japan.
Manoj Mitra, a master of subtlety, was a pivotal figure in Bengali theatre and cinema.
His work was deeply rooted in Marxist ideology, as he declared, "The ideological base of my work is fundamentally Marxism."
Hrishikesh Mukherjee's films always made us laugh. Sunday evening was a melting pot for the adults and the kids in front of the idiot box.
Wai is a poet at heart and his films explore themes of love, loss and memory with a melancholic tone.
The Buddhist practice of forgiving is basically a spiritual concern which is not founded on the premise of repentance like Jainism.
