The festival was organised by Jagori and Kriti Film Club as part of the 16 Days of Activism against Gender Based Violence, and was curated by Aanchal Kapoor and the noted documentary filmmaker Rina Mohan.
The festival opened with noted Assamese filmmaker Manju Borah’s In The Land of Poison Women. The film is based on a story by Yeshe Dorje Thongchi.
This is when we came out of Rabindra Sadan (an auditorium that screens festival films) mute, blown away by Vittorio de Sica’s Umberto D, the haltingly affecting Tokyo Story by Yasujirō Ozu, Zhang Yimou’s pensive rendition of pathos in Coming Home, the ultra-wide frames of Eduardo Nunes’s Sudoste, or Kim Ki Duk’s powerful anti-narrative Time.
© Copyright 2022 | Celcius Technologies Pvt. Ltd. All Rights Reserved
Unauthorized copying or representation of any content, photograph, illustration or artwork from any section of this site is strictly prohibited.
