A conversation with Anuparna Roy by Surela Chakraborty, exploring her Orizzonti Best Director Award and the making of Songs of Forgotten Trees.
A gritty Kanpur-set revenge saga, *Nishaanchi* blends violence, layered storytelling, and standout performances in Anurag Kashyap’s signature dark style.
Anuparna Roy’s Venice triumph celebrates resilient women, independent cinema, and art’s power to challenge prejudice and inspire global solidarity.
Redford was not just a Hollywood legend, but a storyteller whose films revealed the soul of a nation I barely knew.
Producers R. D. Bansal are poised to bring back restored version of Satyajit Ray’s Nayak across Indian theatres on 21st February after 59 years.
Wenders offers the audience the rare opportunity to witness history in the making and in motion.
Colour transports space to emptiness, cancelling that which it has absorbed to reach the non-figurative.
KIFF 30 was a celebration of all things film, Bengal’s arms reaching out to the national and world cinema.
Red Desert follows nine extraordinary black and white features which had by then created an Antonioni doctrine of cinematic photography.
Manoj Mitra, a master of subtlety, was a pivotal figure in Bengali theatre and cinema.
One day, my dad, Basanta Chowdhury, asked me if I knew Ritu. I said, "Yeah, I do."
This video is a simple sit-down session with Samik Roy Choudhury, covering the watching habits of modern audiences, his new film "Beline".
The video is a one-on-one straight from the heart. Here, Kunal Sen shares information about his father, the legendary director Mrinal Sen, on his beliefs,
In her latest book Through the Lens, Brightly: Women in Cinema, Women at work, Shoma A Chatterji, veteran film critic and author of 30 books,
Born in Dina (now in Pakistan) a part of Jhelum district in 1934, Gulzar imbibed his love for Urdu and poetry from his Urdu teacher
The play is set in the 1950s in an Arizonian desert replete with cactuses named Asteroid City which is quite similar to the setting of
