The Artist and the Critic

If Ezra Pound had mollycoddled T. S. Eliot when the latter sent his poem, “The Waste Land” to the former for his editorial suggestions, both friends together would probably have given the world “The Waste Land” that could have been a waste of time. Pound made considerable cuts to the original manuscript with his editorial poetic knife removing lines and sections that he considered superfluous or irrelevant.