Yet, if you are looking at the film solely for Shyam Benegal’s magic touch, you could be quite disappointed. It seems less of a Benegal film and more of a state sponsored political agenda. Not only is history narrated rather selectively, but entire communities have been wiped off the surface of the storyline.
Failure to Make Round Rotis: Poems on Rebellion, Resilience and Relationships is former computer engineer turned poet Mehak Goyal’s powerful debut collection of verses.
Since they were written during the lockdown, many of the stories in the book are about various aspects of the pandemic and how it affected people belonging to different strata of society. In ‘What They Don’t Teach You at Harvard Business School’, Champak lives with his family in a chawl in south Mumbai.
She structures every chapter around one key moment in a particular phase of her life, managing to strike a fine balance between chronological life stages without a strict linear narrative. That narrative livens up most in scenes that are dramatised…
Born in Dina (now in Pakistan) a part of Jhelum district in 1934, Gulzar imbibed his love for Urdu and poetry from his Urdu teacher in Delhi’s United Christian School “where Urdu was the medium of instruction till Independence.”
The play is set in the 1950s in an Arizonian desert replete with cactuses named Asteroid City which is quite similar to the setting of Beckett’s play “Waiting for Godot”; Beckett’s play opens with two bedraggled acquaintances, Vladimir and Estragon, meeting by a lifeless tree.
Barbie shot into the public consciousness just as the Second Wave of the women’s movement was galvanizing attention. Young girls did not have to only see themselves as mothers any longer. Barbie was glamorous, had the perfect body, a full range of fabulous clothes, a pink Corvette, and a dream world– Barbie Land– where she lives with other Barbies.
Her classic histrionic journey began with the musical love legend Baiju Bawra (1952) and also made her debut in two major advertisements. This was followed by the role of Lallita in Bimal Roy’s Parineeta (1953). Over her career, Meena Kumari bagged four Filmfare Awards in the Best Actress category.
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